Tuesday, 14 May 2024 22:31

The idea of this book comes in accordance with the CCME activities that promote thinking about the relationship between media and migration , a symposium held during the first conference of Moroccan journalists in the world, in Al Jadida in February 2011  brought together 250 journalists and media professionals from 19 countries, mostly social actors and journalists in major international media.

Conceived and directed by Hakima Lebbar, psychoanalyst. This book brings together texts and visual works of over sixty women in Morocco of different religious cultures mainly Jewish, Christian and Muslim.

Proceedings of the International Symposium, bands, May 21, 2014

The CCME has published a new book entitled : "Moroccan Immigration in Spain: Portraits" which seeks to present to the Moroccan public ,the Moroccans living in Spain who managed the challenge of a positive integration in the host country but are outside the Spectrum of media attention.

Her son was killed in 2012 by the jihadist Mohamed Merah in France. Latifa Ibn Ziaten goes to preach the Islam of tolerance in the abandoned suburbs of the French Republic. Interview.

Amsterdam — Something snapped. I was 13 years old, dreaming of books and girls and nothing else — a healthy Dutch kid with a Moroccan background who freewheeled through life. Then something happened that made me feel different from the pack.

This book assumes optimistically a series of theoretical propositions that will not only break with all essentialist reading of identity, but also helps to better understand the reality that it covers.

It presents an overview of the issue of identity in a critical perspective. The author proposes to rethink "what is the identity on the basis of our historical conditions" to reconcile with the term, "thus preventing it to take us to the ordinary mediocrity of racism."

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Twelve people were massacred in Paris on Wednesday merely for expressing their opinion through art. Many might not like the art that prompted the carnage. They may consider it obscene and even an attack on their faith. But in the 21st, 15th or 57th century - whatever your religion, calendar, or country - there is no excuse or justification for responding to art with murder.

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